Kerry Tribe

Artist lecture Tuesday, November 14, 2017 7PM
Minnesota Street Project, 1275 Minnesota Street, San Francisco CA, 94107
Kerry Tribe, still from Exquisite Corpse, 2016.

Kerry Tribe works primarily in film, video, and installation. Focusing on the mechanics of representation—particularly cinematic representation—its metaphoric potential and its engagement with reality, her art addresses processes of thought and their relationship to subjectivity, narrative, place and time. Employing image, text, sound, structure, and space, her work plays upon the internal workings and ingrained habits of the mind, its unavoidable quirks, flaws, and shifting fault-lines. Stimulating both reflexive experience and a reflection upon such experience, she prompts an unusual type of self-consciousness, a disorienting and discomforting awareness of the gaps between perception, cognition, and memory, the fluidity—and ultimate unreliability—of each.

Tribe’s work has been the subject of solo exhibitions at 356 Mission, Los Angeles; the Institute for Modern Art, Brisbane; The Power Plant, Toronto; Modern Art, Oxford; and Camden Arts Centre, London. She has received a Creative Capital Grant, a USA Artists Award, and was the 2017 recipient of the Herb Alpert Award in the Arts for Film/Video. Her films have been screened at the International Film Festival Rotterdam; New York Film Festival; and BFI London Film Festival, among others. Her works are held in collections including the Museum of Modern Art; Whitney Museum of American Art, New York; Hammer Museum, Los Angeles; Orange County Museum of Art, Newport Beach; and Generali Foundation, Vienna. Tribe received her MFA from UCLA in 2002, and was a Whitney Independent Study Program Fellow in 1997-98. She currently lives and works in Los Angeles.

New Work: Kerry Tribe is on view at San Francisco Museum of Modern Art from October 7, 2017 to February 25, 2018.


Larry Sultan Visiting Artist Program

Pier 24 Photography is pleased to present the Larry Sultan Visiting Artist Program in collaboration with California College of the Arts and the San Francisco Museum of Modern Art. Each year, the Larry Sultan Visiting Artist Program brings six photographers, writers, and curators to San Francisco to offer free and open lectures, and to work one-on-one with students at California College of the Arts.


Larry Sultan Photography Award


Bieke Depoorter, from the series I am about to call it a day, 2010.

Bieke Depoorter

Fall 2018 Residency
Headlands Center for the Arts, Sausalito, CA

Click HERE for more information on the Larry Sultan Photography Award

Photographer Bieke Depoorter (b. 1986, Belgium) travels the world to find her subjects, creating extraordinarily intimate photographs that straddle portraiture, documentary, and fiction. The relationships she creates with those she photographs are the key to her work. As Depoorter describes it, “The relationships I establish with my subjects are the foundation of my artistic practice…. The resulting stories are always partially mine, partially theirs.”

In her early work, Depoorter traveled to far-flung locales in Russia, Egypt, and the United States, befriending locals to photograph. She asked her subjects if she could spend the night in their homes, building rapport and trust that eventually allowed her to capture the mundane, routine, ordinary moments of their lives. Depoorter’s first such project, Ou Menya, documented her encounters in the homes of locals in Russia. She completed a similar, long-term project in the United States titled I am about to call it a day.

In As It May Be, a project photographed in Egypt beginning just after the revolution in 2011, she tried to find trust in a time of turmoil and suspicion, in an environment where private life is often shielded. With this project, she also started to question her use of the photographic medium. Conscious of her status as an outsider, she returned to Egypt in 2017 with the first draft of the book, inviting others to write comments directly on the photographs. Contrasting views on country, religion, society, and photography arise among people who would otherwise never engage in a dialogue with one another. In Sete#15 (2015) and the short film Dvalemodus (2017), she began to conceive of her subjects as actors, projecting her own fictional narratives onto her subjects’ factual environments, thereby blurring the line between her world and theirs. In her most recent projects, such as the ongoing project Agata (2017), Depoorter works even more collaboratively with her subjects.

She has published four books, and her work has been shown in the United States and Europe, including Photomuseum The Hague, The Netherlands and an upcoming exhibition at FOMU Antwerp, Belgium. She joined the Magnum agency as a nominee in 2012 and a full member in 2016. She is the recipient of the Magnum Expression award and the Prix levallois, among other accolades.

Depoorter lives and works in Ghent, Belgium.