Timken Lecture Hall, California College of the Arts, San Francisco
In addition to her practice as an artist, Schorr is an arts writer, contributing to publications such as Artforum, Frieze and Parkett. She has taught at Columbia University, School of Visual Arts and Sarah Lawrence College. In 2003, she was appointed to the Yale University faculty where she currently serves as a senior critic in photography.
One of the few photographers featured in the 2002 Whitney Biennial, Schorr’s work has been exhibited internationally, including a 2006 retrospective at Badischer Kunstverein, Germany and a solo exhibition at CoCA Kronika, Bytom, Poland in 2010. Her work is represented in collections including the San Francisco Museum of Modern Art, Whitney Museum of American Art, Jewish Museum and Walker Art Center.
Larry Sultan Visiting Artist Program
Pier 24 Photography is pleased to present the Larry Sultan Visiting Artist Program in collaboration with California College of the Arts and the San Francisco Museum of Modern Art. Each year, the Larry Sultan Visiting Artist Program brings six photographers, writers, and curators to San Francisco to offer free and open lectures, and to work one-on-one with students at California College of the Arts.
Larry Sultan Photography Award
Awoiska van der Molen
Fall 2017 Residency
Headlands Center for the Arts, Sausalito, CA
Click HERE for more information on the Larry Sultan Photography Award
The work of Awoiska van der Molen (b. 1972, Netherlands) develops from a desire to comprehend the core of the isolated world she photographs. In order to achieve the sense of solitude necessary to gain access to the stoic nature of the landscape, she spends long periods of time isolated in the natural environment. She takes time to experience the landscape and penetrates deep into the essence of the remote, hushed world created in her photographs. She immerses herself in the landscape, moves slowly, returns repeatedly and by doing so makes these unknown places her own. This gradual and solitary working process continues into the darkroom where her pictures are printed by hand—an intimate process—further imparting a unique stillness that emanates from her work.