Timken Lecture Hall, California College of the Arts, 1111 Eighth Street, San Francisco CA, 94107
Free and open to the public
No RSVP – Seating is on a first-come, first-served basis
The work of New York-based artist Mickalene Thomas introduces a complex vision of what it means to be a woman and expands common definitions of beauty. Thomas’ work stems from her study of art history and classical genres of portraiture, landscape and still life. While known for her elaborate paintings in rhinestone, acrylic, and enamel, Thomas also creates photographs and collages. As part of her artistic process, she builds mock interiors, stages figurative tableaux for photographs and then often transforms the photographs into collages. Though she continues to use these works as resources for her paintings, Thomas has also begun to present these photographs as finished pieces. Inspired by sources ranging from the nineteenth century Hudson River School to Édouard Manet, Henri Matisse and Romare Bearden, Thomas explores notions of beauty from a contemporary perspective infused with influences of popular culture and Pop Art.
While working across multiple series, much of her photographic work functions as a personal act of deconstruction and reappropriation—both of images she has created herself and images she has singled out as influence. With each series, she grapples with and asserts new definitions of beauty and inspiration. The 2016 Aperture publication, Muse: Mickalene Thomas Photographs, is the first to gather together her various approaches to photography, including portraits, collages, Polaroids, and other processes. This collection of portraits and staged scenes reflects a very personal community of inspiration as well—a collection of muses that includes herself, her mother, and her friends and lovers, emphasizing the communal and social aspects of art-making and creativity that pervade her work.
Mickalene Thomas earned her BFA in painting at Pratt Institute and an MFA at the Yale University School of Art. She has participated in residencies at the Studio Museum in Harlem, New York and Versailles Foundation Munn Artists Program, Giverny, France. Her work has been exhibited internationally and she has been awarded multiple prizes and grants, including the Brooklyn Museum Asher B. Durand Award (2012), Timerhi Award for Leadership in the Arts (2010), Joan Mitchell Grant and Pratt Institute Alumni Achievement Award (both 2009), and Rema Hort Mann Grant (2007).
Larry Sultan Visiting Artist Program
Pier 24 Photography is pleased to present the Larry Sultan Visiting Artist Program in collaboration with California College of the Arts and the San Francisco Museum of Modern Art. Each year, the Larry Sultan Visiting Artist Program brings six photographers, writers, and curators to San Francisco to offer free and open lectures, and to work one-on-one with students at California College of the Arts.
Larry Sultan Photography Award
Fall 2019 Residency
Headlands Center for the Arts, Sausalito, CA
Click HERE for more information on the Larry Sultan Photography Award
Jonathan Calm is a visual artist who works in photography, video, installation, and performance. A central theme of his work is the relationship between photography and urban architecture, and the powerful role of images in the way architectural constructs shape the lives of individuals and communities.
In his most recent work, Calm explores the complex representation of African-American automobility from a historical and contemporary perspective, focusing and drawing on the importance and resonance of the Negro Motorist Green Book. Of this project, he explains, “the image of the infinite highway and the unbridled freedom to roam the land has always been considered a quintessential expression of the modern American spirit, but the black American experience of travel, which involves heightened subjectivity and exposure, has to this day proven a precarious privilege rather than an inalienable right.”
Calm’s art practice is international in scope and has been featured in numerous solo and group exhibitions, including Frequency at the Studio Museum in Harlem (2005); Role Play at the Tate Britain (2006); Black Is, Black Ain’t at the University of Chicago’s Renaissance Society (2008); Streetwise at the Reina Sophia Museum in Madrid (2008) and the Chelsea Art Museum (2011); deCordova Biennial at the deCordova Sculpture Park and Museum (2013); and Rooted Movements at LMAKprojects in New York City (2014). Calm currently lives in Palo Alto, CA where he is a faculty member in the Department of Art and Art History at Stanford University.