Paul Mpagi Sepuya
Timken Lecture Hall, California College of the Arts, 1111 Eighth Street, San Francisco CA, 94107
Paul Mpagi Sepuya’s work is rooted in portraiture, homoerotic visual culture, and the role of the studio. His highly crafted photographs, in which his subjects are often revealed in fragments, alert us to the artifice and performance that are an integral part of the photographic process; a constant negotiation between the artist, the sitter, the viewer, and the work itself.
Describing his subjects as a cast of friends, intimates, and muses, Sepuya sees these relationships as being mediated by the making and production of photographs. Using a combination of draped fabric, careful framing, and layering of images of his previous work, the viewer sees arms, thighs, torsos, and hands, but rarely the whole of the subject’s body. Through shooting into his studio mirror, Sepuya draws his varied source materials together in one plane. His deliberately provocative approach is designed to create a feeling of longing within the viewer, to see what is concealed. This form of active looking implicates the viewer within the creative process and highlights the role of desire as a productive and critical force.
Sepuya was born in 1982 and he lives and works in Los Angeles. He received his MFA from the University of California Los Angeles in 2016 and a BFA from New York University Tisch School of the Arts in 2004. His first solo exhibition in Europe—Double Enclosure— is currently on view at Foam Fotografiemuseum in Amsterdam through November.
Larry Sultan Visiting Artist Program
Pier 24 Photography is pleased to present the Larry Sultan Visiting Artist Program in collaboration with California College of the Arts and the San Francisco Museum of Modern Art. Each year, the Larry Sultan Visiting Artist Program brings six photographers, writers, and curators to San Francisco to offer free and open lectures, and to work one-on-one with students at California College of the Arts.
Larry Sultan Photography Award
Fall 2019 Residency
Headlands Center for the Arts, Sausalito, CA
Click HERE for more information on the Larry Sultan Photography Award
Jonathan Calm is a visual artist who works in photography, video, installation, and performance. A central theme of his work is the relationship between photography and urban architecture, and the powerful role of images in the way architectural constructs shape the lives of individuals and communities.
In his most recent work, Calm explores the complex representation of African-American automobility from a historical and contemporary perspective, focusing and drawing on the importance and resonance of the Negro Motorist Green Book. Of this project, he explains, “the image of the infinite highway and the unbridled freedom to roam the land has always been considered a quintessential expression of the modern American spirit, but the black American experience of travel, which involves heightened subjectivity and exposure, has to this day proven a precarious privilege rather than an inalienable right.”
Calm’s art practice is international in scope and has been featured in numerous solo and group exhibitions, including Frequency at the Studio Museum in Harlem (2005); Role Play at the Tate Britain (2006); Black Is, Black Ain’t at the University of Chicago’s Renaissance Society (2008); Streetwise at the Reina Sophia Museum in Madrid (2008) and the Chelsea Art Museum (2011); deCordova Biennial at the deCordova Sculpture Park and Museum (2013); and Rooted Movements at LMAKprojects in New York City (2014). Calm currently lives in Palo Alto, CA where he is a faculty member in the Department of Art and Art History at Stanford University.