Timken Lecture Hall, California College of the Arts, San Francisco
As she approaches the end of her time as a visiting scholar at California College of the Arts, British writer and curator Charlotte Cotton will discuss how her experience working with CCA undergraduate and graduate students is shaping her ideas about photographic culture. The lecture will also focus on the scope of her recent exhibition – Photography is Magic! (2012) – and the books Photographicness (2013) and the forthcoming publication, Photographic, which takes a broad view upon contemporary image making culture.
Cotton is the author of The Photograph as Contemporary Art (2004) and founder of Words Without Pictures (2008-9) and Eitherand.org (2012). She has previously held positions including Creative Director of London’s Media Space, Director of the Wallis Annenberg Department of Photographs at the Los Angeles County Museum of Art and Curator of Photographs at the Victoria and Albert Museum in London.
Larry Sultan Visiting Artist Program
Pier 24 Photography is pleased to present the Larry Sultan Visiting Artist Program in collaboration with California College of the Arts and the San Francisco Museum of Modern Art. Each year, the Larry Sultan Visiting Artist Program brings six photographers, writers, and curators to San Francisco to offer free and open lectures, and to work one-on-one with students at California College of the Arts.
Larry Sultan Photography Award
Fall 2019 Residency
Headlands Center for the Arts, Sausalito, CA
Click HERE for more information on the Larry Sultan Photography Award
Jonathan Calm is a visual artist who works in photography, video, installation, and performance. A central theme of his work is the relationship between photography and urban architecture, and the powerful role of images in the way architectural constructs shape the lives of individuals and communities.
In his most recent work, Calm explores the complex representation of African-American automobility from a historical and contemporary perspective, focusing and drawing on the importance and resonance of the Negro Motorist Green Book. Of this project, he explains, “the image of the infinite highway and the unbridled freedom to roam the land has always been considered a quintessential expression of the modern American spirit, but the black American experience of travel, which involves heightened subjectivity and exposure, has to this day proven a precarious privilege rather than an inalienable right.”
Calm’s art practice is international in scope and has been featured in numerous solo and group exhibitions, including Frequency at the Studio Museum in Harlem (2005); Role Play at the Tate Britain (2006); Black Is, Black Ain’t at the University of Chicago’s Renaissance Society (2008); Streetwise at the Reina Sophia Museum in Madrid (2008) and the Chelsea Art Museum (2011); deCordova Biennial at the deCordova Sculpture Park and Museum (2013); and Rooted Movements at LMAKprojects in New York City (2014). Calm currently lives in Palo Alto, CA where he is a faculty member in the Department of Art and Art History at Stanford University.