Phyllis Wattis Theater, San Francisco Museum of Modern Art
In 1972, self-taught photographer Stephen Shore set out from his native New York City to Amarillo, Texas, on the first of what would become a decade’s worth of road trips across America. Shore’s trademark photographs of middle-American landscapes, interiors, and figures helped establish color photography as an accepted medium in the world of art.
At age twenty-three, he was the second living photographer to have a one-man show at the Metropolitan Museum of Art in New York. Shore has been featured in solo exhibitions at the Museum of Modern Art, New York; International Center of Photography, New York; George Eastman House, Rochester; Kunsthalle, Dusseldorf; Hammer Museum, Los Angeles; Jeu de Paume, Paris; and Art Institute of Chicago. He has received fellowships from the Guggenheim Foundation and the National Endowment for the Arts and, most recently, received a commission from the CCA Wattis Institute of Contemporary Art to document the United States in its current state of economic downturn.
Since 1982, he has been the Director of the Photography Program at Bard College in New York State, where he serves as the Susan Weber Professor in the Arts.
Larry Sultan Visiting Artist Program
Pier 24 Photography is pleased to present the Larry Sultan Visiting Artist Program in collaboration with California College of the Arts and the San Francisco Museum of Modern Art. Each year, the Larry Sultan Visiting Artist Program brings six photographers, writers, and curators to San Francisco to offer free and open lectures, and to work one-on-one with students at California College of the Arts.
Larry Sultan Photography Award
Fall 2019 Residency
Headlands Center for the Arts, Sausalito, CA
Click HERE for more information on the Larry Sultan Photography Award
Jonathan Calm is a visual artist who works in photography, video, installation, and performance. A central theme of his work is the relationship between photography and urban architecture, and the powerful role of images in the way architectural constructs shape the lives of individuals and communities.
In his most recent work, Calm explores the complex representation of African-American automobility from a historical and contemporary perspective, focusing and drawing on the importance and resonance of the Negro Motorist Green Book. Of this project, he explains, “the image of the infinite highway and the unbridled freedom to roam the land has always been considered a quintessential expression of the modern American spirit, but the black American experience of travel, which involves heightened subjectivity and exposure, has to this day proven a precarious privilege rather than an inalienable right.”
Calm’s art practice is international in scope and has been featured in numerous solo and group exhibitions, including Frequency at the Studio Museum in Harlem (2005); Role Play at the Tate Britain (2006); Black Is, Black Ain’t at the University of Chicago’s Renaissance Society (2008); Streetwise at the Reina Sophia Museum in Madrid (2008) and the Chelsea Art Museum (2011); deCordova Biennial at the deCordova Sculpture Park and Museum (2013); and Rooted Movements at LMAKprojects in New York City (2014). Calm currently lives in Palo Alto, CA where he is a faculty member in the Department of Art and Art History at Stanford University.