Shannon Ebner

Wednesday, October 25, 2017 7PM
Timken Lecture Hall, California College of the Arts, 1111 Eighth Street, San Francisco CA, 94107


Hammer Projects: Shannon Ebner. Installation view at the Hammer Museum, Los Angeles. July 15 - October 9, 2011. Photograph by Brian Forrest.

 

The work of Los Angeles-based artist Shannon Ebner, focuses on the intersections of image and text, investigating correlations between photography and language. Ebner considers various uses of language—including poetry, symbols, signage and political rhetoric—examining the limits and ambiguities of language and representation through the lens of photography. In addition to photographs, Ebner’s works take the form of sculpture, poetry, performance, and video. Using the written word as a foundation for photographs, she constructs images by building letters and phrases out of vernacular materials such as cardboard, wood, and cinder blocks, calling attention to the ways language and imagery are put together. Her alphabets explore language’s “other”—hovering presences like silence, nonverbal communication, misspellings, handwriting—and emphasize what written language commonly represses or takes for granted in order to function.

In projects like Auto Body Collision (2015), Ebner photographs language in found signage, looking for patterns, connections, and breaks in the repetition of specific words, like “auto,” “body,” and “collision.” Another project—Black Box Collision A (2014)—is an extensive meditation on and representation of the letter “A” mined from signs, advertisements, messages, and other modes of visual communication. Repetition across large-scale photographs of the letter “A” accumulates to open rather than close the meaning of even the most seemingly basic component of meaning.

Ebner received her BA from Bard College and MFA from Yale University School of Art. Her work has been featured in solo exhibitions at the Hammer Museum, Los Angeles; MoMA PS1, Long Island City; and Institute of Contemporary Art, Miami. Ebner’s work has been collected by institutions such as the Los Angeles County Museum of Art; Museum of Modern Art, New York; and Stedelijk Museum, Amsterdam. Her published artist books include The Sun as Error (2009), Strike (2015), Autobody Collision (2015), and A Public Character (2017). Currently, Ebner is the Associate Professor of the Practice of Fine Arts at the USC Roski School of Art and Design. She curated the group exhibition Soil Erosion at Altman Siegel in San Francisco, which is on view from September 7 to October 28, 2017.

 

 

 

 

Add to Calendar 2017-10-25 19:00:00 2017-10-25 20:00:00 America/Los_Angeles Shannon Ebner http://pier24.org/lecture/shannon-ebner/ http://www.pier24.org . Timken Lecture Hall, California College of the Arts, 1111 Eighth Street, San Francisco CA, 94107

Larry Sultan Visiting Artist Program

Pier 24 Photography is pleased to present the Larry Sultan Visiting Artist Program in collaboration with California College of the Arts and the San Francisco Museum of Modern Art. Each year, the Larry Sultan Visiting Artist Program brings six photographers, writers, and curators to San Francisco to offer free and open lectures, and to work one-on-one with students at California College of the Arts.


Larry Sultan Photography Award

The Larry Sultan Photography Award recognizes one exceptional photographer each year. The Awardee will be in residence at Headlands Center for the Arts, and will engage in the Bay Area’s photography community for period of several weeks. This Award represents an expansion of the Larry Sultan Visiting Artists Program.


Awoiska van der Molen, #256-17, 2009

Awoiska van der Molen

Fall 2017 Residency
Headlands Center for the Arts, Sausalito, CA

Click HERE for more information on the Larry Sultan Photography Award

The work of Awoiska van der Molen (b. 1972, Netherlands) develops from a desire to comprehend the core of the isolated world she photographs. In order to achieve the sense of solitude necessary to gain access to the stoic nature of the landscape, she spends long periods of time isolated in the natural environment. She takes time to experience the landscape and penetrates deep into the essence of the remote, hushed world created in her photographs. She immerses herself in the landscape, moves slowly, returns repeatedly and by doing so makes these unknown places her own. This gradual and solitary working process continues into the darkroom where her pictures are printed by hand—an intimate process—further imparting a unique stillness that emanates from her work.